書店是一種風景。你會看到愛書人以緩慢節奏，細心為舊書修容包膜；有店主帶顧客上山採藥，認識植物兼作藥茶；有關注環保的人開書店，是為守護家鄉的山林；也有嫁進漁港的媳婦，為討海人留下文字與影像紀錄⋯⋯書店既依山也靠海，在這裡更充滿人的故事：書店前倖存的楊桃樹，圓滿了臨終病人的遺願；西方旅人為遠東的小村，譜下一曲樂章；還有異鄉人在人潮熙攘的台北鬧區，傳述著流亡港人的故事。這些如散文詩般優美精煉的影音，被滿溢人味的書店串起，向我們講述看不見的記憶。

暂无剧情简介

暂无剧情简介

Set in 2015 against the backdrop of the Supreme Court's upholding of Marriage Equality, a long time gay couple divorce just as everyone else is getting married. After a commitment-phobic husband divorces him, Max, a stuck-in-his-ways gay man tries to start over. When he becomes accidental roommates with a younger hip nerd who is as romantically challenged as he is, sparks fly. "All Kinds of Love" is a feel-good comedy about people trying to follow their hearts, whether it involves an inter-generational romance, a middle-aged interracial throuple or an artistic trans man looking for love in all the wrong places.

Set in 2015 against the backdrop of the Supreme Court's upholding of Marriage Equality, a long time gay couple divorce just as everyone else is getting married. After a commitment-phobic husband divorces him, Max, a stuck-in-his-ways gay man tries to start over. When he becomes accidental roommates with a younger hip nerd who is as romantically challenged as he is, sparks fly. "All Kinds of Love" is a feel-good comedy about people trying to follow their hearts, whether it involves an inter-generational romance, a middle-aged interracial throuple or an artistic trans man looking for love in all the wrong places.

《愛是自私》導演松永大司的《間夜》描繪跨越13年的絕美台日戀曲

《愛是自私》導演松永大司的《間夜》描繪跨越13年的絕美台日戀曲

一个陌生而寂静的村庄，毫无生气，貌似失去了一切明显的生命。在那里，一位举止坚决的中年马车司机拖着一具没有生命的尸体走向墓地。

朱頤罹癌，經造血幹細胞移植後獲得重生，他成立「血．拾人生」病友社團，「召募十萬青年驗血建檔」成為他的夢想。病友虹汝在非營利組織服務，總是能給大家帶來正能量，康復後的亞倪，一心想為丈夫生子，歷經多次失敗，依然不肯放棄。這些生命鬥士跟很多平凡人一樣，被親情圍繞、和友情糾纏、為愛情燃燒，但他們也跟很多人不一樣：因為血癌復發機率高，沒把握自己還有沒有明天？2022年秋天，「血拾人，血拾輪」單車環島之旅終於成行，沒人看得出來他們是一群歷經苦痛治療才得以康復的患者，這趟旅程如同他們對抗疾病的艱辛，只能前進不能後退，他們享受新生，盼望生命得以繼續燃燒，生如夏花之燦爛。

かつて関西を中心に自主映画活動を展開した「ヴォワイアン・シネマテーク」のメンバーのひとり。プライベートな視点を保ちつつ、強靭なイメージをつくりだす作家である。本作は、作家にとって異郷である東京をテーマにした作品で、さまざまな風景との出会いを緊張感のある映像の連鎖によって示している。 　　A member of the former Voyant Cinematheque, a group which promoted personal filmmaking mainly in the Kansai region, Aoi creates tough images while maintaining a private point of view. This work focuses on the theme of Tokyo, an alien place for the artist, and shows a series of images which maintain tension through encounters with various landscapes.